English 3123

Topics in Advanced Composition

MW 12:00-1:15

Spring 2007

BH 205

 

Professor: Laura Gray, Ph.D.                                                                                                           

Phone: 918-343-7593

Email: lgray@rsu.edu

Office: BH 204C

Office Hours: (appointments encouraged)

Monday, Wednesday, and Friday

9-11

Tuesday and Thursday

            11-1


Course Description (RSU Catalog)

Practice in writing with emphasis on style and strategies of composition. Focus varies: practice in various literary genres; study of rhetoric; practice in various modes; argumentative writing; advanced expository writing.

 

Students completing this course will exhibit competency--through testing, course work, portfolio, student/faculty interaction, and/or other appropriate measures--in written communications skills, reasoning skills, and critical thinking skills.

 

Three hours credit

 

Course Prerequisites: ENGL 1113 and ENG 1213 or permission

 

Course Introduction

This section of Topics in Advanced Composition will emphasize the study of the art of rhetoric and advanced expository writing. You will be doing a great deal of writing because to write better means you must practice writing. Many of the topics will be assigned to you. However, within the parameters of the assignment, you will have the latitude to choose the specific area of the topic you will address. Good writers understand and are willing to put the necessary time and work into the process of writing. Understanding the process and working through the various preparations, drafts, and revisions are crucial to achieving the ultimate goal--a good finished product. Part of that process is reviewing your own writing and helping other writers review their writing.

 

This class will consist of a number of activities, among them essays, discussions, summary/evaluations, document sharing, peer review, outside reading and research, and editing.

Materials

Required Texts:

Crowley, Sharon and Debra Hawhee. Ancient Rhetorics for Contemporary Students. 3rd Ed. New York: Pearson Education, 2004.

 

Hacker, Diana. A Writer's Reference. 5th Ed. Boston: Bedford/St. Martin's, 2003.

 

File folders to submit major papers

RSU student email account

Notebook

Blue Books (2)

Teaching Methods and Evaluation Instruments

As the focus of this class is on advanced writing skills, most of the time will be spent allowing the student to do just that--write. Except when necessary, I will seldom provide formal lectures. Instead, I have arranged the course to guide the student through a variety of exercises with the goal of improving critical reading, writing, and usage skills. I have selected texts that I hope will provide useful guidance, but all-in-all, the only way to improve one's writing is through copious practice.

 

Please keep in mind that this is an upper division writing course. As advanced writers, you are called on to display critical thinking and writing skills within all your written assignments—your writing should be appropriately mature, clear, and correct for this 3000 level course. Please see the Rubric for evaluating papers (Attachment A).

 

We will follow Modern Language Association (MLA) standards for usage and documentation. Students are expected to know and adhere to these rules and guidelines. Use the Hacker text for guidance.

 

Your semester grade will be determined by your performance on the following:

 

Process (300 points)

50-Minute Writings (100 points)

Rhetorical Exercises (100 points)

(These will include, but are not limited to, Proposals, Summaries, Rhetorical Précis, Abstracts, Evaluations, Rhetorical Vocabulary, and Oral Presentations)

Peer Review and Editing Project(s) (50 points)

Meaningful Class Participation and Discussion (50 points)

 

Product (400 points)

Paper I: Cultural Memory Essay (100 points)

            Writing Effectively from Primary Sources

Paper II: Argumentative Essay (150 points)

            Writing Effectively from Secondary Sources

Paper III: Critical Analysis (150 points)

            Writing Effectively about the Arts and Literature

 

Exams (300 points)

Midterm (150 points)

Final (150 points)

 

Total Points:

900-1000  = A

800-899     = B

700-799     = C

600-699     = D

0-599         = F

 

Throughout the term, you will write in a confined, timed environment. Two of these writings are formal exams (the Midterm and the Final). The writings will serve two purposes: first, you will have practice in writing in a timed environment; second, the validity of the other submissions you make in the class will be confirmed.  These exams are mandatory. Students who do not take these exams will receive an “F” in the class, regardless of other grades.

 

Other than the timed writing submissions, much of your grade will be based on the formal writing process. Your writing grade will include not only the work you submit but your evaluation and editing of work submitted by other students in the class.

 

Learning Objectives

 

In accordance with the Rogers State University mission and the mission of the Department of Communications and Fine Arts, this course leads to the following outcomes:

 

  • Advanced Topics in Composition is designed for those students aspiring to baccalaureate degrees.
  • Advanced Topics in Composition is designed to build effective communication skills and creative and critical thinking in an atmosphere of academic freedom which encourages interaction in a positive academic climate.
  • This course is designed to create opportunities for cultural, intellectual, and personal enrichment for students.
  • The student should be able to demonstrate ability to--
    • write well-developed, well-supported 600-1500 word documented essay, using formal essay structure, with minimum of grammatical and mechanical errors, using five or more sources, using a standard form of documentation, such as MLA;
    • evaluate and use library sources, including on-line data bases, Internet, etc., for research essays;
    • summarize and evaluate multi-disciplinary essays;
    • use the writing process: pre-writing, planning, organizing, drafting, revising, editing; and
    • write a supported, logical short essay in 50-75 minutes (ACT/SAT style).

Grading Scale and Academic Profiles

The Communications and Fine Arts Department has adopted a standard grading scale:

 

90-100% A

 

80- 89% B

 

70-79% C

 

60-69% D

 

59% and below

 

Student Standards

Learning is a cooperative and collaborative activity. Each student has an important and unique role in this class and should be prepared to contribute fully throughout the semester. Students who fail to prepare and attend regularly negatively impact the success of the entire class. If you are not able to contribute fully to this class throughout the semester, I strongly encourage you to take this course when you can devote appropriate time and attention to it.

 

Standards of Achievement

All student work will be held to the following academic criteria:

Accuracy of information

Organization and clarity of thoughts

Depth of critical thinking and observation

Satisfaction of defined requirements (deadlines, etc.)

Acceptable writing mechanics

Fidelity of work (no plagiarism, cheating, etc.)

Evidence of creative or innovative thinking

Effective cooperative learning

 

Please see the Academic Profile (Attachment B).

Course Policies and Procedures

Attendance Policy

Class attendance and participation are crucial to individual student success as well as to the success of the class as a whole. Students missing 4 or more classes will have their final course grade lowered accordingly. On the rare occasion that you must miss class, you are responsible for obtaining, from a reliable classmate, any information covered in your absence. You are expected to return to class fully prepared to participate.

 Late Papers

All work is due at the start of class by the stated due date. For each day late, five points will be deducted from the final assignment grade. No assignment will be accepted later than one week (seven calendar days) past the posted due date. Some assignments are in-class only and cannot be replicated; therefore, students missing such assignments will receive a zero for that particular activity.

 Student Conduct

I encourage free and open exchange of ideas and opinions in this class. To ensure that each student has this opportunity, each of us must respect every student’s right to meaningfully contribute to the current discussions at hand. This class focuses on the power of language, both written and oral, and the successful student will learn how best to use language appropriately and persuasively. No overtly hostile, sexist, racist, or other xenophobic language or behavior will be tolerated.

It is disruptive and rude for cell phones and portable music devices to be used during class—turn them off and put them away during class time.

 

Cheating and Personal Misrepresentation and Proxy

Taking another person's place in an exam, placement test, or other academic activity, either before or after enrollment; having another person participate in an academic evaluation activity or evaluation in place of oneself all constitute cheating and violate the Student Code of Conduct.

 

Students should see and adhere to the RSU Code of Conduct, printed in Student Code of Responsibility and Conduct and online. See Title 12.  Students will also adhere to the CFA definition of plagiarism. Students must read and sign the Pledge, to be handed out separately, to continue in this class. (See Attachment C)

Communications and Fine Arts Policy on Plagiarism

Plagiarism is a form of academic dishonesty. Plagiarism is representing someone else's ideas or work as your own. To avoid plagiarism, when you use someone else's data, arguments, designs, words, ideas, project, etc., you must make it clear that the work originated with someone else by citing the source. Please review the Student Code of Responsibilities and Conduct published by Rogers State University for a full discussion of “Code of Academic Conduct” and plagiarism penalties. A link to the “Code” is on the RSU web site. I will also hand out definitions and examples to avoid plagiarism later in the semester.

 

Contacting the Professor

My contact information is posted at the top of the syllabus. I strongly encourage students to take advantage of my office hours. To ensure that I am not in a meeting or meeting with another student, appointments are encouraged. Please make appointments throughout the semester to visit with me about your writing; you need not have a “problem” to see me. When sending an email, please include your name, class, and question in the subject line. All emails should be signed with your full name. Otherwise, I can not guarantee that your email will receive appropriate attention. I will make every effort to respond to emails within 48 hours. Emails received after noon on Friday will be attended to the following week.

Rogers State University ADA Statement

Americans with Disabilities Act

Rogers State University is committed to providing students with disabilities equal access to educational programs and services.  If you have specific physical, psychiatric, or learning disabilities please let me know immediately so that your learning needs may be appropriately met. You will need to provide documentation of your disability to the Office of Student Affairs, Student Union, 343-7754.

Computer Writing Labs

Computers are available in the UPA, Stratton Taylor Library, and Student Support Services. Computers are available for class use in BH 207.

Closure Statement

The schedule and procedures in this course are subject to change in the event of extenuating circumstances. It is the student’s responsibility to stay apprised of any changes and make necessary adjustments.


 

Schedule

Below is a schedule of readings and major due dates. Specific details for each paper and assignment will be given separately throughout the term. Rhetorical Exercises, 50-Minute essays, and other Process assignments will be announced in class. This schedule may change as necessary to benefit the class. It is the student’s responsibility to stay apprised of any changes.

Cultural Memory

Week 1 (1/8-1/12)

            Introduction to Course

Chapters 1 and 2 from Ancient Rhetorics

Begin Paper I

 

Week 2 (1/15-1/19)

Read Chapter 12 from Ancient Rhetorics

Continue work with Paper I

 

Week 3 (1/22-1/26)

Final Topics Due for Paper I

Read Chapters 6 and 7 in Ancient Rhetorics

 

Week 4 (1/29-2/2)

The Cultural Memory Essay Due

 

Classical Argument

Week 5 (2/5-2/9)

Read Chapters 3 and 4 in Ancient Rhetorics

 

Week 6 (2/12-2/16)

The Argumentative Essay

 

Week 7 (2/19-2/23)

Proposal Due

 

Week 8 (2/26-3/2)

Review chapters 1-2 and 5-7 from Ancient Rhetorics

Midterm Exam

 

Week 9 (3/5-3/9)

Peer Review

Argumentative Essay Due

 

Analysis

Week 10 (3/13-3/17)

Begin work with Short Fiction and Analysis

 

Week 11 (3/19-3/30)

Spring Break

 

Week 12 (3/26-3/30)

Continue work with Analysis

 

Week 13 (4/2-4/6)

Continue work with Analysis

Summary of Scholarly Article from JSTOR

 

Week 14 (4/9-4/13)

Critical Analysis Due

           

Revision and Reflection

Week 15 (4/16-4/20)

Revision Process

Reflection       

 

Week 16 4/23-4/27)

Final Exam Prep

 

Final Exam Period (4/30-5/4)

Our Final Exam, Monday, April 30, 12:45-2:45

All students will take the exam at this time—no exceptions.

 




 

 

Attachment A

General Rubric for Papers, Scale of 1-5

 

STUDENTS will demonstrate mastery of course material and stated goals under the following guidelines.

 

5        The paper displays mastery of the following communication skills. All work is rich, smooth, and significant; it is free of mechanical errors; and it shows stylistic finesse. The paper demonstrates excellence in all areas. The paper is intriguing and thought-provoking. Arguments are logical and persuasive. Ideas are well-articulated and presented in original ways.

 

4        The paper is significantly more than competent. The paper should be free of mechanical errors. The paper engages the reader, and shows evidence of significant critical and creative thinking. The student displays excellence in critical analysis or artistic creation, if not both. Arguments show careful thought and are basically persuasive. Ideas are presented in original ways.

 

3        The paper is generally competent, with few errors. The paper shows evidence of significant progress, and as a whole gets the job done. The paper provides evidence of some critical and creative thought. The student may display excellence in either critical analysis or artistic creation. Arguments are present and show some thought. Ideas are present and developed, if not particularly original or well-articulated.

 

2        The paper is barely competent. The paper may have mechanical errors and/or lack significance. The paper may provide evidence of the student’s ability to communicate but not reveal skill. Evidence of critical and creative thinking is marginal. The paper displays adequate critical and creative thinking, but not much more than that. Arguments and ideas are asserted without much critical thought. Little originality is evident. This is a rote or hasty paper.

 

1        The paper is inadequate. There are frequent errors. The paper is superficial and lacks organization. Evidence of critical and/or creative thinking is largely absent. The paper shows little or no method or planning. Work seems thrown together with minimal critical or creative thought.

 
 
 
 

 

Attachment B

Academic Profile

 

Descriptor

Description

A

Excellent

Students receiving an “A” can be considered to have exhibited extraordinary effort in class and scholarship exceeding the expectations of the instructor and to have exhibited most or all of the following: to have attended regularly and on time (missed fewer than the equivalent of one week of class meetings); to have participated fully in peer evaluations and in class discussion, revealing personal initiative in both; to have used well-supported and well-structured logical arguments in essay writing; to have revealed a grasp of mechanics that prevents errors; to have revealed depth of critical thought and observation; to have exhibited timeliness in turning in assignments; to have revealed strong interest in intellectual, cultural, and personal growth by reading and discussing assigned material; to have shown consistent improvement in academics.

B

Above Average

Students receiving a “B” can be considered to have exhibited above-average effort in class, revealing noticeable improvement in academics, and showing accurate and complete scholarship. The student will have exhibited most or all of the following: have attended regularly (not missed more than the equivalent of one week of class meetings) and on time; have participated honestly and solidly in peer evaluations and in class discussion; have used supported and structured logical arguments in essay writing; have revealed a grasp of mechanics that prevents many errors; have revealed critical thought and observation; have exhibited a moderate grasp of timeliness in turning in assignments; have revealed interest in intellectual, cultural, and personal growth by reading and discussing assigned material.

C

Average

Students receiving a “C” can be considered to have exhibited average effort in class, performing satisfactorily but not above average, with some self-direction, and have shown signs of academic progress, meeting assignment parameters accurately. The student will have exhibited most or all of the following: attended regularly (not missed more than the equivalent of one week of class meetings) and on time; participated willingly in peer evaluations and in class discussion; have used supported and structured arguments in essay writing; have revealed an average grasp of mechanics that prevents most errors; have revealed average critical thought and observation; have exhibited a moderate grasp of timeliness in turning in assignments; have revealed average interest in intellectual, cultural, and personal growth by reading and discussing assigned material.

D

Below Average

Students receiving a “D” can be considered to have exhibited some effort in class, but not enough to show fully engagement with the subject and with the course material, showing little or no initiative and academic improvement, and not meeting the scholarship requirements of assignments. The student will have exhibited most or all of the following: have participated somewhat in peer evaluations and in class discussion; have attended somewhat regularly (missed more than the equivalent of one week and less than the equivalent of two weeks) and usually on time; have used some structured and supported arguments in essay writing; have revealed a sub-standard grasp of mechanics that prevents only some errors; have revealed below average critical thought and observation; have exhibited some grasp of timeliness in turning in assignments; have revealed below average interest in intellectual, cultural, and personal growth by reading and discussing assigned material; have not met the scholarship requirements of assignments; have not shown initiative; have not revealed academic improvement.

F

Unsatisfactory

Students receiving an “F” can be considered to have exhibited little or no desire to pass the course. This will usually involve poor participation and attendance (missed more than the equivalent of two weeks of class meetings) and little or no effort to attempt improvement as well as scholarship deficiencies and lack of effort to complete assignments.




Attachment C

RSU Communications and Fine Arts Definition of Plagiarism

 

The RSU Student Code defines plagiarism as “presenting the work of another as one’s own (i.e., without proper acknowledgment of the source or sources), or submitting material that is not entirely one’s own work without attributing the unoriginal portions to their correct sources. The sole exception to the requirement of acknowledging sources occurs when ideas or information are common knowledge” (see Title 12 in the Student Code, available online at www.rsu.edu/scode).

Integrating the words and ideas of others into your own work is an important feature of academic expression.  But plagiarism occurs whenever we incorporate the intellectual property of others into our own work without proper acknowledgement of whose words, ideas, or other original material we are bringing into our work, either with quotation marks and direct mention of the source or through other means of clear and precise acknowledgement. 

Plagiarism can of course be a purely intentional attempt at deceit, but whether or not there is conscious intent to deceive, plagiarism occurs any time you do not give proper acknowledgement of others’ contributions to your work.  Ignorance of the responsibility of acknowledging sources is not a legitimate defense against a charge of plagiarism, any more than not knowing the speed limit on a given road makes a person stopped for speeding less at fault.  Since the consequences of being charged with plagiarism are serious, the Communications and Fine Arts Department has adopted the following definition of plagiarism to ensure your more precise understanding of what constitutes plagiarism, intentional or unintentional. 

1. It is plagiarism to copy another’s words directly and present them as your own without quotation marks and direct indication of whose words you are copying.  All significant phrases, clauses, and passages copied from another source require quotation marks and proper acknowledgement, down to the page number(s) of printed texts.*

Source material from the “Notice” to Mark Twain’s Adventures of Huckleberry Finn: “Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”

Plagiarized: Surely it is an exaggeration to say that persons attempting to find a moral in Huckleberry Finn will be banished and persons attempting to find a plot in it will be shot. 

Proper acknowledgement of source: Perhaps the author is exaggerating when he says that “persons attempting to find a moral” in his novel “will be banished” and “persons attempting to find a plot in it will be shot” (Twain 3).

Note that even brief clauses and phrases copied from source material require quotation marks. Also note that acknowledging the source without putting the quoted words in quotation marks is still plagiarism: put all quoted words in quotation marks.

2. It is plagiarism to paraphrase another writer’s work by altering some words but communicating the same essential point(s) made by the original author without proper acknowledgment.  Though quotation marks are not needed with paraphrasing, you must still acknowledge the original source directly.

Source material from Adolph Hitler, by John Tolland: “Ignored by the West, the Soviet Union once more looked to Germany.  Early in 1939 it accepted a Hitler overture to discuss a new trade treaty by inviting one of Ribbentrop’s aides to Moscow; and a few days later Stalin gave credence to a sensational story in the London News Chronicle that he was signing a non-aggression pact with the Nazis” (721).

Plagiarized: When Western nations continued to shun the Soviet Union, the Russians drew closer to Germany, meeting with a senior Nazi official in Moscow to arrange a trade agreement in early 1939.  Shortly after, Stalin admitted his intent to sign a pact of non-aggression with Germany.

Proper acknowledgement of source: In Adolph Hitler, John Tolland notes that when Western nations continued to shun the Soviet Union, the Russians drew closer to Germany, meeting with a senior Nazi official in Moscow to arrange a trade agreement in early 1939.  Shortly after, Stalin admitted his intent to sign a pact of non-aggression with Germany (721).

3. Plagiarism includes presenting someone else’s ideas or factual discoveries as your own.  If you follow another person’s general outline or approach to a topic, presenting another’s original thinking or specific conclusions as your own, you must cite the source even if your work is in your own words entirely.  When you present another’s statistics, definitions, or statements of fact in your own work, you must also cite the source.

Example 1: Say that you read Paul Goodman’s “A Proposal to Abolish Grading,” in which he claims that an emphasis on grades results in students’ caring more about grades than learning subject matter, causing them to have a bad attitude when their grades are low and sometimes even leading them to cheating.  In order to make these same essential points in your own work without plagiarizing—even if your development of these ideas differs markedly from Goodman’s in examples and order of presentation—you must still acknowledge Goodman as the basis for your approach to the topic.

Plagiarized: Abolishing grades at the college level would allow students to focus on subject matter instead of grades, it would prevent students from getting a bad attitude towards a class when they receive low grades, and it would virtually eliminate the temptation to cheat or plagiarize.

Proper acknowledgement of source: As Paul Goodman argues in “A Proposal to Abolish Grading,” doing away with grades would allow students to focus on subject matter instead of grades, it would prevent students from getting a bad attitude towards a class when they receive low grades, and it would virtually eliminate the temptation to cheat or plagiarize.

Example 2: If you found a source indicating that Americans consume more beer on Friday than on any other day of the week, to make this claim in your work you must cite the source to avoid plagiarism.  If the source indicated that American beer-drinking on Fridays accounts for 21% of the whole week’s total consumption, mentioning this statistic, or even approximating it, requires acknowledgement of the source.

Plagiarized: Americans consume more beer on Fridays than on any other day of the week.
Proper acknowledgement of source: Americans consume more beer on Fridays than on any other day of the week
(Cox 31).

Plagiarized: Beer consumption on Fridays accounts for more than 20% of total U.S. consumption throughout the week.
Proper acknowledgement of source: Beer consumption on Fridays accounts for more than 20% of total U.S. consumption throughout the week (Cox 31).

4. Plagiarism includes allowing someone else to prepare work that you present as your own.

Allowing a friend, parent, tutor, or anyone else to compose any portion of work you present as your own is plagiarism.  Note that plagiarism includes copying, downloading, or purchasing an essay or any other material in part or in whole via the Internet.  Note also that plagiarism includes using online “translator programs” in foreign language classes.

5. Plagiarism applies in other media besides traditional written texts, including, but not limited to, oral presentations, graphs, charts, diagrams, artwork, video and audio compositions, and other electronic media such as web pages, PowerPoint presentations, and postings to online discussions.

Conclusion:

·         If you are uncertain about any portion or aspect of this definition of plagiarism, ask your instructor to clarify or explain immediately.  If at any point later in the semester you have questions about potential plagiarism issues, talk to your instructor about them before submitting the work in question.

·         Students who plagiarize often feel pressured into submitting plagiarized work because they have either struggled with the assignment or waited until the last minute to get the work under way.  You will always be better served discussing your situation with your instructor, however grim it seems, rather than submitting any work that is not entirely your own.

 


Attachment D

 

Student Contract for Topics in Advanced Composition

 

Students read and sign this contract to remain in this class.


__
I have read and understood the guidelines and requirements in the syllabus.

__I understand that this class is for three hours college credit; this implies three hours of class meeting.

__I understand that each hour of college credit usually requires two or more hours per week study time outside of class. I understand that means I have a reading/study/research/writing commitment of six or more hours per week outside the three-hour participation requirement.

__I understand that participation is required.

__I understand that this class involves deadlines.

__I understand that peer critiquing is required in this class; this means that any work I do for this class may be subject to peer review by my classmates.

__I understand what plagiarism is, and I understand that strict penalties will incur if I plagiarize material.

__I understand literary/academic/periodical selections for this class may contain controversial or “offensive” material; this is the nature of some works.

__I understand that the Midterm and Final Exams are mandatory. Failure to complete either of these will result in an “F” in the class, regardless of my other grades.

Name: ___________________________

Date: ___________________________

Signature: ____________________________